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Difference between revisions of "Main Page" - TangoWiki

Difference between revisions of "Main Page"

From Tangowiki
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<!------------------------
+
==Fields==
        HEADER
+
<inputbox>
------------------------->
+
type=create
{{Main Page Header
+
break=no
| title      = Welcome to TangoWiki!
+
</inputbox>
| motto      = The Wiki for Tango, with {{NUMBEROFARTICLES}} articles and {{NUMBEROFPAGES}} pages in total.
+
}}
+
  
{| cellspacing="0" cellpadding="0"
+
==Colours==
|- style="vertical-align: top;"
+
{| class="wikitable" style="width: 100%; line-height: 3em;"  
| style="padding-right: 1.2em; width: 50%;" |  
+
|-
<!------------------------       FESTIVALS   --------------------------->
+
! colspan="5" | Main colours
{{Main Page Box
+
|-
| color     = 5c2445
+
| style="background-color:#202755; color:#fff;" | #202755 || style="background-color:#8e93a9;" | #8e93a9  ||  style="background-color:#bec0cd;" | #bec0cd  || Main colour BLUE || Use in: Logo [[File:ii_500.png|30px]]
  | title      = FESTIVALS
+
|-  
  | content    = <div>
+
| style="background-color:#cdbc17; color:#fff;" | #cdbc17 || style="background-color:#e5dd8c;" | #e5dd8c  ||  style="background-color:#f0ecbc;" | #f0ecbc  || Secondary colour YELLOW || Use in: Page titles, categories
Find Tango festivals worldwide
+
|-  
* '''[[Festival calendar]]''': A calendar with linked festivals
+
| style="background-color:#252525; color:#fff;" | #252525 || style="background-color:#fff;" |  ||  style="background-color:#fff;" |  || Text colour ||
*[[World map of festivals]]
+
|-  
*All festivals in the [[:Category:Festival|festival category]] (A–Z)
+
! colspan="5" | Secondary colours
 +
|-  
 +
| style="background-color:#8b224b; color:#fff;" | #8b224b || style="background-color:#c590a4;" | #c590a4  ||  style="background-color:#ddbfcb;" | #ddbfcb  || 3rd colour  RED|| Use in: People, persons
 +
|-  
 +
| style="background-color:#d26d1b; color:#fff;" | #d26d1b || style="background-color:#e7b68d;" | #e7b68d  ||  style="background-color:#f3d5bd;" | #f3d5bd  || 4th colour  ORANGE ||
 +
|-  
 +
| style="background-color:#478c3b; color:#fff;" | #478c3b || style="background-color:#a2c59b;" | #a2c59b  ||  style="background-color:#cadec5;" | #cadec5  || 4th colour GREEN ||
 +
|-
 +
! colspan="5" | Link colours
 +
|-
 +
| style="background-color:#6373b7; color:#fff;" | #6373b7 || style="background-color:#475384; color:#fff;" | #475384  ||  style="background-color:#ed5b74; color:#000;" | #ed5b74   || Link colours || Normal link, visited link (darker), red link
 +
|-
 +
! colspan="5" | Usage
 +
|-  
 +
| style="background-color:#478c3b; color:#fff;" | #478c3b || style="background-color:#ddfff0;" | #ddfff0 ||  style="background-color:#fff; color:#000;" |    || Code || <code><nowiki>[[This is code text.]]</nowiki></code>
 +
|-  
 +
| style="background-color:#e5dd8c;" | #e5dd8c || style="background-color:#f0ecbc;" | #f0ecbc ||  style="background-color:#fff; color:#000;" |    || User manual ||
 +
|-  
 +
| style="background-color:#a7bce0; color:#fff;" | #a7bce0 || style="background-color:#fff; color:#fff;" |  ||  style="background-color:#fff; color:#000;" |    || Soft box ||
 +
|-
 +
! colspan="5" | Older colours
 +
|-  
 +
| style="background-color:#699e34; color:#fff;" | #699e34 || style="background-color:#a3b891;" | #ddfff0 ||  style="background-color:#c8d4be; color:#000;" |  #c8d4be  || ||
 +
|-  
 +
| style="background-color:#e29a34; color:#fff;" | #e29a34 || style="background-color:#e4bc88; color:#fff;" | #e4bc88 ||  style="background-color:#ecd5b6; color:#000;" | #ecd5b6  ||  ||
 +
|-  
 +
| style="background-color:#718484; color:#fff;" | #718484 || style="background-color:#fff; color:#fff;" |  ||  style="background-color:#fff; color:#000;" |    || Form table 3 ||
 +
|-  
 +
| style="background-color:#310d42; color:#fff;" | #310d42 || style="background-color:#fff; color:#fff;" | ||  style="background-color:#fff; color:#000;" |    || Festival ||
 +
|-
 +
| style="background-color:#5c2445; color:#fff;" | #5c2445 || style="background-color:#fff; color:#fff;" | ||  style="background-color:#fff; color:#000;" |    || Festival event ||
 +
|-
 +
| style="background-color:#c590a4; color:#fff;" | #c590a4 || style="background-color:#320020;" | #320020 ||  style="background-color:#fff; color:#000;" |    || Record table || Background/font [[Rec:R000001]]
 +
|-
 +
| style="background-color:#5c2445; color:#fff;" | #5c2445 || style="background-color:#dee8ff;" | #dee8ff ||  style="background-color:#320020; color:#000;" |  #320020  || Song records ||
 +
|-
 +
| style="background-color:#ddcd77; color:#fff;" | #ddcd77 || style="background-color:#fff;" | #fff ||  style="background-color:#fff;" |  #fff  || Task ||
 +
|-
 +
| style="background-color:#e29a34; color:#fff;" | #e29a34 || style="background-color:#fffef7;" | #fffef7 ||  style="background-color:#fff;" |  #fff  || Blockquote || {{Quote|This is a test quote}}
 +
|-
 +
| style="background-color:#589bbf; color:#fff;" | #589bbf || style="background-color:#fff;" | #fff ||  style="background-color:#fff;" |  #fff  || Note box || {{Note}}
 +
|-
 +
| style="background-color:#60b377; color:#fff;" | #60b377 || style="background-color:#fff;" | #fff ||  style="background-color:#fff;" |  #fff  || Note box info || {{Note-info}}
 +
|-
 +
| style="background-color:#bf5869; color:#fff;" | #bf5869 || style="background-color:#fff;" | #fff ||  style="background-color:#fff;" |  #fff  || Note box warning || {{Note-warning}}
 +
|-
 +
| style="background-color:#adede3; color:#fff;" | #adede3 || style="background-color:#fff;" | #fff ||  style="background-color:#fff;" |  #fff  || Note box nutshell || {{Note-nutshell}}
 +
|-
 +
| style="background-color:#e4f3f9; color:#fff;" | #e4f3f9 || style="background-color:#c8e7f5;" | #c8e7f5 ||  style="background-color:#589bbf;" |  #589bbf  || Translation language box ||
 +
|}
  
 +
ddcd77
  
Upcoming festival: {{#ask: [[Category:Festival event]] [[start date::>{{CURRENTYEAR}}-{{CURRENTMONTH}}-{{CURRENTDAY}}]]|?start date|?end date|format=template|template=Upcomingevent|limit=1|searchlabel= }}
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==Rest==
</div>
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<!--| bottomcolor = 8d5273
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| bottomcontent = <div>
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Upcoming festival: {{#ask: [[Category:Festival event]] [[start date::>{{CURRENTYEAR}}-{{CURRENTMONTH}}-{{CURRENTDAY}}]]|limit=1|searchlabel= }}
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</div>-->
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}}
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<!------------------------        MILONGAS --------------------------->
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{{Main Page Box
+
| color      = 5c2445
+
| title      = MILONGAS
+
| content    = <div>
+
All milongas and practicas worldwide, nearby in your city or your holiday location
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* '''[[Milonga map]]''': A map with milongas in worldwide locations
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* [[World map of venues]]: All venues
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*All milongas and practicas in the [[:Category:Milonga|milonga category]]
+
</div>
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}}
+
| style="padding-right: 1.2em; width: 50%;" |
+
<!------------------------        TANGO MUSIC --------------------------->
+
{{Main Page Box
+
| color      = e29a34
+
| title      = MUSIC
+
| content    = <div>
+
Find songs, translated lyrics, recordings, discographies and more.
+
*All songs in the [[:Category:Song|song category]]
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* [[Special:Translate|Translate lyrics]] into your language
+
</div>
+
}}
+
<!------------------------      STAY UP-TO-DATE (hidden)
+
{{Main Page Box
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| color      = cccc66
+
| title      = Keep up with what's going on
+
| content    = <div>
+
*[[Special:NewPages|New Pages]]
+
*[[Special:RandomPage|Random Page]]
+
</div>
+
}} --------------------------->
+
|-
+
| colspan="2" |
+
<!------------------------      CONTRIBUTE
+
{{Main Page Box
+
| title  = Contribute
+
| color      = 99cccc
+
| content = <div>
+
* '''[[Portal:Contribute|Contribute-Portal]]''': The portal with all the info for contribution
+
Quick link for starting: [[Help:User manual|]]
+
* [[Help:Set up user account|Set up user account]]
+
* [[Help:Create new article|Create new article]]
+
</div>
+
}}------------------------->
+
|- style="vertical-align: top;"
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| style="padding-right: 1.2em; width: 50%;" |
+
<!------------------------        FORMS --------------------------->
+
{{Main Page Box
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| color      = 99cccc
+
| title      = Forms for quick creation of articles
+
| content    = <div>
+
Add content quickly with these forms
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* [[Form:Festival|Festival form]] for creation of a new festival article and [[Help:Create festival article|help]] for the form
+
*[[Form:Milonga|Milonga form]] for creating a milonga
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* [[Form:Venue|Venue form]] for creating an article about a venue (location), needed for milongas, marathons and festival.
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* [[Form:TJ|TJ form]] for creation of a new TJ article
+
</div>
+
}}
+
<!------------------------      CONNECT WITH US --------------------------->
+
{{Main Page Box
+
| color      = cccc66
+
| title      = CONNECT
+
| content    = <div>
+
[[Image:1423111858 trello.png|noframe|30px||link=https://trello.com/b/KElGJSn8/tangowiki-development-board-official-public]] [https://trello.com/b/KElGJSn8/tangowiki-development-board-official-public Trello development board] &nbsp; &nbsp;
+
[[Image:1423111895 facebook.png|noframe|30px||link=https://www.facebook.com/tangowiki]] [https://www.facebook.com/tangowiki Facebook] &nbsp; &nbsp;
+
[[Image:1423111939 twitter.png|noframe|30px||link=https://twitter.com/tangowiki]] [https://twitter.com/tangowiki Twitter]
+
</div>
+
}}
+
| style="padding-right: 1.2em; width: 50%;" |
+
<!----------------------        CONTRIBUTE ----------------------->
+
{{Main Page Box
+
| color      = 99cccc
+
| title      = CONTRIBUTE
+
| content    = <div>
+
* '''[[Portal:Contribute|Contribute-Portal]]''': The portal with all the info for contribution
+
Quick link for starting: [[Help:User manual]]
+
* [[Help:Set up user account|Set up user account]]
+
* [[Help:Create new article|Create new article]]
+
</div>
+
}}
+
<!------------------------            NEWS --------------------------->
+
{{Main Page Box
+
| color      = 99cc99
+
| title      = News
+
| content    = <div>{{TangoWiki:News}}
+
*See [[Special:NewPages|all new pages]]
+
  
<!--The last new pages:
+
Carlos Di Sarli ( January 7th, 1903, Bahía Blanca, Argentina - January 12th, 1960, [[Buenos Aires]], Argentina) was a famous pianist, composer and orchestra leader. In a time of great change in tango, he managed to create and maintain a style of his own, characterized for having a clear, strong beat, which turned him to a favourite among dancers, as well as a delicate taste and elegance, which earned him the nickname of ''El Señor del Tango'' ("The Lord/Gentleman of Tango").<ref>Ferrer, Horacio, ''El libro del tango'' (buscar detalles) </ref> He is considered to be one of the great, most representative figures of tango music.
{{Special:Newpages|limit=3}}-->
+
 
</div>
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Tooltip: {{#info:Check out the references page!}}
 +
 
 +
{{In process}}
 +
 
 +
{{Infobox Person
 +
|Foto =
 +
|Caption =
 +
|Full civil name = Cayetano Di Sarli
 +
|Artist name = Carlos Di Sarli
 +
|Nickname = El Señor del Tango ("The Lord of Tango"),  El As del Tango ("The Ace of Tango")
 +
|Pseudonym =
 +
|Date of birth = January 7th, 1903
 +
|Date of death = January 12th, 1960
 +
|City of birth = Bahía Blanca
 +
|Country of birth = Argentina
 +
|City of death = Buenos Aires
 +
|Country of death = Argentina
 +
|Roles=Composer, Orchestra director
 +
|Instrument = Piano
 
}}
 
}}
| style="padding-right: 1.2em; width: 50%;" |  
+
 
 +
 
 +
==H2 Biography ==
 +
Born on January 7, 1903, in [[Bahía Blanca]], Argentina, Cayetano Di Sarli was one of the children sprung from Miguel Di Sarli’s second marriage with [[Serafina Russomano]]. His father was the owner of a gunsmith store, but the liaison with music must have come from his mother’s side (she was the daughter of a tenor singer). Several of his siblings also took the musical path through life.<ref>Sierra, Luis Adolfo et. al., ''La historia del tango'', Corregidor, Buenos Aires, 1980.</ref>
 +
Di Sarli began the study of classical piano at an early age, but soon abandoned the academic repertoire for a more popular stream. He went on tour through several provinces of Argentina as part of a troop of traveling musicians, and then lived in La Pampa (where he played the accompaniment for silent films), as well as in his beloved Bahía Blanca (where he played at the [[Café Paulista]], the [[Café Moka]], and with a band of his own between 1919 and 1921 at the [[Café Express]]). After tours through [[La Pampa]], [[Córdoba]], [[Mendoza]], [[San Juan]] and [[Salta]], in 1923 Di Sarli returns to Buenos Aires. Times are difficult, and as he plays in dodgy locales, often with bad musicians, he meets the tough face of the big city. He once described his impression as follows:<ref>''Los grandes del tango'', Editorial Tango, Buenos Aires, Year 1, N°5, Nov. 1990.</ref>
 +
 
 +
 
 +
===H3 Life ===
 +
A famous quote by Di Sarli: <blockquote>''In this mood I came to Buenos Aires. I was very young, the romantic idea, apart from having come to triumph, encouraged me. And so I stood before life, with a music book under the arm, willing to win a tough hand… Too tough! I got to know pain from up close. Newsboys, in the early morning, with their eyes full of sleep. The agony of young men with broken boots, reading old newspapers on the squares. Women, young girls with messy hair at dawn. I performed as pianist of some bands that were too poor… Too close to the river…[…] The sailors sang their drunkenness, about ports and distances; many times I didn't want to turn to watch the "joy" of the salons. </blockquote> (Sierra et. al., ''La historia del tango: Di Sarli -Vardaro-Gobbi'', Corregidor, Buenos Aires, 1980, ref. 2701-02)
 +
 
 +
{{quote|''In this mood I came to Buenos Aires. I was very young, the romantic idea, apart from having come to triumph, encouraged me. And so I stood before life, with a music book under the arm, willing to win a tough hand… Too tough! I got to know pain from up close. Newsboys, in the early morning, with their eyes full of sleep. The agony of young men with broken boots, reading old newspapers on the squares. Women, young girls with messy hair at dawn. I performed as pianist of some bands that were too poor… Too close to the river…[…] The sailors sang their drunkenness, about ports and distances; many times I didn't want to turn to watch the "joy" of the salons. |Sierra|(Sierra et. al., ''La historia del tango: Di Sarli -Vardaro-Gobbi'', Corregidor, Buenos Aires, 1980, ref. 2701-02)}}
 +
 
 +
[[File:Edgardo Donato1933.jpg|thumbnail|right|ein Thumbnail]]
 +
 
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[[File:Edgardo Donato1933.jpg|framed|right|150px|gerahmt 150px]]
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 +
The path started to change when, with the help of a relative, he made his way into Anselmo Aieta's orchestra. He then performs with the Juan Pedro Castillo Orchestra, Alejandro Scarpino's "Canaro en Paris Trio", with the brothers Fortunato and Carmelo Mattino, among others. Another crucial encounter would be that with Osvaldo Fresedo. With his orchestra Di Sarli would play at the opening of the Fénix Theatre, and apart from the friendship that would arise between the both of them, Fresedo's musical influence in the still young Di Sarli would be a permanent characteristic of the latter's work. Out of thankfulness and appreciation, Di Sarli would, later on, compose in his honour the famous tango ''Milonguero viejo'' ("Old milonguero").
 +
 
 +
 
 +
In 1925, having formed his first sextet, Di Sarli performed at the "Charleston" in La Boca, and at the "Guarany", starting to walk their way with confidence into the mythical ''Centro'', the downtown of Buenos Aires. Simultaneously, Di Sarli played in various cafés of the city, as well as on the radio, and participated in films. He began recording for the label Victor in 1928, and throughout the following year performed at the "Folies Bergère", the "Fénix" he had once inaugurated with Fresedo's orchestra, and the "El indio" resort in Vicente López.
 +
 
 +
===H3 In his 1930ies===
 +
In 1930 he achieved great success with his performance of works by Discépolo at the Astral Theatre. He also played at the Coliseo Podestá in the city of La Plata, and the Café Germinal, though only for fifteen days; the story says Di Sarli felt seriously offended by one of the managers who insisted on him taking of his dark-tinted glasses to play; he ended up leaving the premises, and his musicians followed him. At that point, Di Sarli had already made a name for himself and his popularity was huge, apart from the fact that he was a favourite among dancers. Di Sarli's orchestra was one of the most popular at the carnival parties.
 +
 
 +
====H4 Buenos Aires====
 +
After leaving Buenos Aires and spending some time in Bahía Blanca, Di Sarli returned to Buenos Aires and took his brother Roque's place in his orchestra. The members of Di Sarli's sextet had continued to play with great success, and eventually got the name of Novel Sextet, around the year 1934. In 1935 he suddenly left everything once more and made his way to Rosario. He made a swift apparition with them again in 1936, during the absence of the pianist Canataro due to illness, and in 1937 Di Sarli replaced Juan Carlos Cobián's place at the piano in "El Trío N° 1"in 1937, alongside Ciriaco Ortiz and Cayetano Puglisi. 
 +
 
 +
=====H5 End of life=====
 +
Finally, in 1938 Di Sarli built a new sextet and thus inaugurated a time of intense work and enormous success. They performed in Buenos Aires at the "Moulin Rouge", the Carnivals of the Lanús Club, Radio El Mundo, Cabaret Imperio, among others.; they also participated in the film "Loco lindo", and opened a second season as artists of the label Victor. In 1940 Di Sarli enlarged the band and started playing regularly at the Marabú, which would become the orchestra's favourite stage. During that time, the orchestra saw many changes in its conformation, and singers would also rotate quite often; however, success was strong and constant. Di Sarli's last ten years of work were busy and, above all, very successful.
 +
 
 +
Carlos Di Sarli passed away or, as it is commonly said, "went on tour" on the night of  January 12th, 1960, at his home in Olivos. Both as director as well as member of the orchestra, he was always characterized by his artistic and professional integrity. He is said to have possessed a fine sensitivity and a great sense of humanity. His efforts throughout his life turned him into a prosperous musician and a beloved and admired person. The number of songs composed in his memory is a clear proof of that.
 +
 
 +
==Di Sarli as composer==
 +
Part of Di Sarli's legacy is a series of fine compositions. He often worked in collaboration with great writers, such as Héctor Marcó and Roberto Guisado. Among his works are the following titles: Loco lindo, Otra vez carnaval, No me preguntes por qué, [[Verdemar]], Así era mi novia, Nido gaucho, [[Bien frappé]], [[Corazón]], Porteño y bailarín, En un beso la vida, La capilla blanca; and the instrumentals Bahía Blanca and Milonguero viejo.
 +
 
 +
<gallery>
 +
BIAGI 5658 A.jpg |Biagi 5658 A
 +
BIAGI 5658 B.jpg |Biagi 5658 B
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Carlos Garcia con Roberto Firpo.png|Carlos Garcia con Roberto Firpo
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BIAGI 5658 A.jpg |Biagi 5658 A
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BIAGI 5658 B.jpg |Biagi 5658 B
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Carlos Garcia con Roberto Firpo.png|Carlos Garcia con Roberto Firpo
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BIAGI 5658 A.jpg |Biagi 5658 A
 +
BIAGI 5658 B.jpg |Biagi 5658 B
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Carlos Garcia con Roberto Firpo.png|Carlos Garcia con Roberto Firpo
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BIAGI 5658 A.jpg |Biagi 5658 A
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BIAGI 5658 B.jpg |Biagi 5658 B
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Carlos Garcia con Roberto Firpo.png|Carlos Garcia con Roberto Firpo
 +
</gallery>
 +
 
 +
==Anecdotes and interesting facts==
 +
Di Sarli's sunglasses became a trademark. He started wearing them at a very young age, as a result  of an accidental gunshot he received at his father's store at age 13.
 +
 
 +
Episode with the "Milonga del centenario" (corregidor, p.2739-40)
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Benefactor. He would donate to the Patronato de la Infancia his earnings for authorial rights. (p. 2750)
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 +
Di Sarli's famous tango "Milonguero viejo", dedicated to [[Osvaldo Fresedo]], changed its name for a while to "Bailarín porteño". However, it eventually returned to the original version.
 +
 
 +
Some detractors of his work used to state it was an easy job to play in Di Sarli’s orchestras, as the arrangements had none of those fast. intricate variations for bandoneon at the end. With that in mind, Di Sarli easily quieted those voices by making an arrangement of ''El choclo'', which has near the ending one of the most difficult variations to perform on the ‘’fueye’’.
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 +
===Di Sarli Recordings ===
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{| class="mw-collapsible mw-collapsed sortable wikitable"
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!| Titel
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!!| Genre
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!!| Aufnahmedatum
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!!| Sänger/Instrumental
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!!| Label
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!! class="unsortable"| Anmerkungen
 
|-
 
|-
| colspan="2" |  
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|La cumparsita
<!------------------------     HELP
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|Tango
{{Main Page Box
+
|1929
| title  = HELP
+
|Agustín Magaldi
| content = <div>
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|Brunswick
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</div>
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|-
}}------------------------->
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|Queja melodiosa
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|-
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|Seguí... no te parés
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|Tango
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|1929
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|No me engañes, por favor
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|-
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|Luces de la tarde
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|-
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|Amor y olvido
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|-
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|Dolores
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|Vals
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|1929
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|Instrumental
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|Brunswick
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|-
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|Se va la vida
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|Tango
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|1929
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Desencanto
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|-
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|Sirvame caña
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|-
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|Adiós mujer
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|-
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|Pulpero sirva otra vuelta
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|Tango
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|1929
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Misterio
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|-
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|Doña Maríviga
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|Ranchera
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|1929
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|Luis Díaz (Estrib.)
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|Brunswick
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|Richtiger Titel: "Doña Maríbiga".
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|-
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|Siluetas de la tarde
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|-
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|Vas a sonar
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|Tango
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|1929
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|De milonga corrida
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|
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|-
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|Pega Pega
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|Originaltitel: "Pega-Pega". Mit Sprechgesang.
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|-
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|Hasta cuándo
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|Tango
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|1929
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Las lavanderas
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|Polka
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|1929
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|Instrumental
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|Brunswick
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|Mit Chor.
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|-
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|Huerfanitos de la vida
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|Tango
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|1929
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Qué querés con ese loro
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|Tango
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|1929
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Venga viejo
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|-
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|Derrotado
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|-
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|Zafa de l'amarrazón
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|Tango
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|1929
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|Instrumental
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|Brunswick
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|-
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|Yo quiero casarme
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|Tango
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|1929
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Huerfanita
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|Tango
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|1930
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|Instrumental
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|Brunswick
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|
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|-
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|En la cortada
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|Tango
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|1930
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Invierno
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|Tango
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|1930
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Garufa corrida
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|Tango
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|1930
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Lisandro
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|Tango
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|1930
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|Instrumental
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|Brunswick
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|-
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|La brava
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|Ranchera
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|1930
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|Luis Díaz (Estrib.)
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|Brunswick
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|
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|-
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|Don Esteban
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|Tango
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|1930
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|Instrumental
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|Brunswick
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|
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|-
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|De madrugada
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|Tango
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|1930
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|Instrumental
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|Brunswick
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|
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|-
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|Triste amanecer
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|Tango
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|1930
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|Instrumental
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|Brunswick
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|
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|-
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|Farol de los gauchos
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|Zamba
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|1930
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|Instrumental
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|Brunswick
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|Mit Sprechgesang.
 +
|-
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|Polilla
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|Tango
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|1930
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|Mit Estribillo
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|Brunswick
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|Alternativtitel: "Globero".
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|-
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|Porqué se fué
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|Tango
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|1930
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|Instrumental
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|Brunswick
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|
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|-
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|Caradura
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|Tango
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|1930
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|Instrumental
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|Brunswick
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|
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|-
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|No mires p'atrás
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|Tango
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|1930
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|Instrumental
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|Brunswick
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|
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|-
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|Mañana
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|Tango
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|1930
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Lluvia de flores
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|Vals
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|1930
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|Instrumental
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|Brunswick
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|-
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|Musiquito
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|Tango
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|1930
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Ensalada criolla
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|Ranchera
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|1930
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Baquiano pa'elegir
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|Tango
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|1930
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|Instrumental
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|Brunswick
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|-
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|Soledad
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|Tango
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|1930
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Virgencita de Pompeya
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|Tango
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|1930
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Deschavate
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|Tango
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|1930
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|Instrumental
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|Brunswick
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|-
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|Lamentos del alma
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|Tango
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|1930
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|Luis Díaz (Estrib.)
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|Brunswick
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|-
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|Menina de ouro
 +
|Maxixa
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|1930
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|Instrumental
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|Brunswick
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|
 
|}
 
|}
[[Category:TangoWiki]]
+
 
 +
==Recordings Song==
 +
{{Recordings Song
 +
|Orchestra1=Francisco Canaro
 +
|Singer1=Alberto Arenas
 +
|Recording date1=1945-08-24
 +
|Disco No1=5270 A
 +
|Matrix No1=14871
 +
|Label1=Odeon
 +
|Genre1=Tango
 +
|Orchestra2=Aníbal Troilo
 +
|Singer2=Alberto Marino
 +
|Singer2A=Floreal Ruiz
 +
|Recording date2=1945-11-15
 +
|Disco No2=60-0825 A
 +
|Matrix No2=80896-1
 +
|Label2=RCA Victor
 +
|Genre2=Tango campero
 +
|Image2=TROILO_60-0825_A.jpg
 +
|Image2A=TROILO_60-0825_A_2.jpg
 +
|Weblinks2=[http://www.tangotunes.com/adios-pampa-mia-60-0825-ga.html TangoTunes]
 +
|Orchestra3=Rodolfo Biagi
 +
|Singer3=Alberto Amor
 +
|Recording date3=1946-01-31
 +
|Disco No3=5658 A
 +
|Matrix No3=15326
 +
|Label3=Odeon
 +
|Genre3=Tango campero
 +
|Weblinks3=[http://www.tangotunes.com/adios-pampa-mia-5658.html TangoTunes]
 +
|Image3=BIAGI_5658_A.jpg
 +
|Orchestra4=Alberto Castillo
 +
|Singer4=Alberto Castillo
 +
|Recording date4=1947-04-11
 +
|Disco No4=7728
 +
|Matrix No4=16378
 +
|Label4=Odeon
 +
|Genre4=Tango
 +
|Orchestra5=Roberto Firpo dúo de pianos
 +
|Singer5=Instrumental
 +
|Recording date5=1946
 +
|Disco No5=3556A
 +
|Matrix No5=16199
 +
|Label5=Odeon
 +
|Genre5=Tango
 +
}}
 +
 
 +
 
 +
==Example page==
 +
On the example page<ref>This page helps to create a new article about a Tango festival quickly.</ref> [[Gouda Tango Festival (Example page)]] you find an idea about how a festival page could look like. When you are logged in, you can also see the source code of the text. In the  [[:Category:Festival]] are all festivals listed, which already exist. Check there, if the festival is maybe already entered.
 +
 
 +
[[Help:Set up user account|Create your user account]] and maybe have a look at the [[Help:Short Instruction|Short Instruction]] for creating articles, until your account gets confirmed.
 +
 
 +
==Form==
 +
With the '''[[Form:Festival]]''' you can easily create a new festival page.
 +
 
 +
Once you entered the name of the festival and clicked on "Create festival & next" you will be directed to the second page of the form. Here fill in the single fields.
 +
 
 +
===Logo upload===
 +
For the upload of the logo you will be redirected to the Commons (a new window should open). Upload the logo there, copy the file name and paste it into the form.
 +
 
 +
The logo needs to be uploaded only once and can be used in the other languages as well (German, Spanish), only include the same file name in the form there.
 +
 
 +
===Free text===
 +
In the free text area is space for further information, which don't have space in the form fields. Write text and [[Help:Text formatting|format]] it in Wiki-Syntax.
 +
 
 +
*Tip: Don't give yourself away too much about formatting. Set some headlines and concentrate on the text. Other users can take over the formatting of your text later on.
 +
 
 +
===Save the page===
 +
#'''Show preview:''' Check in the preview, how your article will look like and correct your text, if necessary.
 +
#'''Save page:''' On saving the page you will be directed to the saved article in reading mode.
 +
 
 +
Further changes to the page can be applied any time:
 +
#'''Edit with form:''' Brings you back to the filled-in form.
 +
#'''Edit:''' Here you get directly into the source code. If you make changes here, make sure to correctly transclude the [[Template:Infobox Festival|Template:Infobox Festival]], so the infobox on the right side will show.
 +
 
 +
==Please note==
 +
*'''TangoWiki is no place for advertisement.'''. Please try to keep your descriptions as objective as possible and link to personal content to your website.
 +
*'''Watch the page'''. Chances are high, someone will change and improve the page. If you'd like to have changes undone, please discuss on the discussion page of the festival first and/or contact the user who made the changes directly via their disuccion page.
 +
*'''Keep the page up-to-date.''' As organizer you have the newest information about the festival. Once the festival is over, change the page. If there is new information for the next edition, change the page. Like this you can make sure to keep the page informative for others.
 +
 
 +
==Help?==
 +
If you still need help with the form, get in contact with the [[TangoWiki:Contact|support team]] here at TangoWiki.
 +
 
 +
==Weblinks==
 +
*[http://www.todotango.com/english/creadores/atroilo.asp todotango.com]
 +
*[http://www.troilo.com.ar/ troilo.com.ar]
 +
 
 +
==References==
 +
<references>
 +
 
 +
[[Category:Help]]

Revision as of 09:02, 16 August 2015

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Rest

Carlos Di Sarli ( January 7th, 1903, Bahía Blanca, Argentina - January 12th, 1960, Buenos Aires, Argentina) was a famous pianist, composer and orchestra leader. In a time of great change in tango, he managed to create and maintain a style of his own, characterized for having a clear, strong beat, which turned him to a favourite among dancers, as well as a delicate taste and elegance, which earned him the nickname of El Señor del Tango ("The Lord/Gentleman of Tango").[1] He is considered to be one of the great, most representative figures of tango music.

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Main Page

Full civil name Cayetano Di Sarli
Artist name Carlos Di Sarli
Nickname El Señor del Tango ("The Lord of Tango"), El As del Tango ("The Ace of Tango")
Date of birth January 7th, 1903 in Bahía Blanca, Argentina
Date of death January 12th, 1960 in Buenos Aires, Argentina
Role(s)  • Composer
 • Orchestra director
Instrument(s)  • Piano


H2 Biography

Born on January 7, 1903, in Bahía Blanca, Argentina, Cayetano Di Sarli was one of the children sprung from Miguel Di Sarli’s second marriage with Serafina Russomano. His father was the owner of a gunsmith store, but the liaison with music must have come from his mother’s side (she was the daughter of a tenor singer). Several of his siblings also took the musical path through life.[2] Di Sarli began the study of classical piano at an early age, but soon abandoned the academic repertoire for a more popular stream. He went on tour through several provinces of Argentina as part of a troop of traveling musicians, and then lived in La Pampa (where he played the accompaniment for silent films), as well as in his beloved Bahía Blanca (where he played at the Café Paulista, the Café Moka, and with a band of his own between 1919 and 1921 at the Café Express). After tours through La Pampa, Córdoba, Mendoza, San Juan and Salta, in 1923 Di Sarli returns to Buenos Aires. Times are difficult, and as he plays in dodgy locales, often with bad musicians, he meets the tough face of the big city. He once described his impression as follows:[3]


H3 Life

A famous quote by Di Sarli:
In this mood I came to Buenos Aires. I was very young, the romantic idea, apart from having come to triumph, encouraged me. And so I stood before life, with a music book under the arm, willing to win a tough hand… Too tough! I got to know pain from up close. Newsboys, in the early morning, with their eyes full of sleep. The agony of young men with broken boots, reading old newspapers on the squares. Women, young girls with messy hair at dawn. I performed as pianist of some bands that were too poor… Too close to the river…[…] The sailors sang their drunkenness, about ports and distances; many times I didn't want to turn to watch the "joy" of the salons.
(Sierra et. al., La historia del tango: Di Sarli -Vardaro-Gobbi, Corregidor, Buenos Aires, 1980, ref. 2701-02)
In this mood I came to Buenos Aires. I was very young, the romantic idea, apart from having come to triumph, encouraged me. And so I stood before life, with a music book under the arm, willing to win a tough hand… Too tough! I got to know pain from up close. Newsboys, in the early morning, with their eyes full of sleep. The agony of young men with broken boots, reading old newspapers on the squares. Women, young girls with messy hair at dawn. I performed as pianist of some bands that were too poor… Too close to the river…[…] The sailors sang their drunkenness, about ports and distances; many times I didn't want to turn to watch the "joy" of the salons.
Sierra[4]


ein Thumbnail
gerahmt 150px


The path started to change when, with the help of a relative, he made his way into Anselmo Aieta's orchestra. He then performs with the Juan Pedro Castillo Orchestra, Alejandro Scarpino's "Canaro en Paris Trio", with the brothers Fortunato and Carmelo Mattino, among others. Another crucial encounter would be that with Osvaldo Fresedo. With his orchestra Di Sarli would play at the opening of the Fénix Theatre, and apart from the friendship that would arise between the both of them, Fresedo's musical influence in the still young Di Sarli would be a permanent characteristic of the latter's work. Out of thankfulness and appreciation, Di Sarli would, later on, compose in his honour the famous tango Milonguero viejo ("Old milonguero").


In 1925, having formed his first sextet, Di Sarli performed at the "Charleston" in La Boca, and at the "Guarany", starting to walk their way with confidence into the mythical Centro, the downtown of Buenos Aires. Simultaneously, Di Sarli played in various cafés of the city, as well as on the radio, and participated in films. He began recording for the label Victor in 1928, and throughout the following year performed at the "Folies Bergère", the "Fénix" he had once inaugurated with Fresedo's orchestra, and the "El indio" resort in Vicente López.

H3 In his 1930ies

In 1930 he achieved great success with his performance of works by Discépolo at the Astral Theatre. He also played at the Coliseo Podestá in the city of La Plata, and the Café Germinal, though only for fifteen days; the story says Di Sarli felt seriously offended by one of the managers who insisted on him taking of his dark-tinted glasses to play; he ended up leaving the premises, and his musicians followed him. At that point, Di Sarli had already made a name for himself and his popularity was huge, apart from the fact that he was a favourite among dancers. Di Sarli's orchestra was one of the most popular at the carnival parties.

H4 Buenos Aires

After leaving Buenos Aires and spending some time in Bahía Blanca, Di Sarli returned to Buenos Aires and took his brother Roque's place in his orchestra. The members of Di Sarli's sextet had continued to play with great success, and eventually got the name of Novel Sextet, around the year 1934. In 1935 he suddenly left everything once more and made his way to Rosario. He made a swift apparition with them again in 1936, during the absence of the pianist Canataro due to illness, and in 1937 Di Sarli replaced Juan Carlos Cobián's place at the piano in "El Trío N° 1"in 1937, alongside Ciriaco Ortiz and Cayetano Puglisi.

H5 End of life

Finally, in 1938 Di Sarli built a new sextet and thus inaugurated a time of intense work and enormous success. They performed in Buenos Aires at the "Moulin Rouge", the Carnivals of the Lanús Club, Radio El Mundo, Cabaret Imperio, among others.; they also participated in the film "Loco lindo", and opened a second season as artists of the label Victor. In 1940 Di Sarli enlarged the band and started playing regularly at the Marabú, which would become the orchestra's favourite stage. During that time, the orchestra saw many changes in its conformation, and singers would also rotate quite often; however, success was strong and constant. Di Sarli's last ten years of work were busy and, above all, very successful.

Carlos Di Sarli passed away or, as it is commonly said, "went on tour" on the night of January 12th, 1960, at his home in Olivos. Both as director as well as member of the orchestra, he was always characterized by his artistic and professional integrity. He is said to have possessed a fine sensitivity and a great sense of humanity. His efforts throughout his life turned him into a prosperous musician and a beloved and admired person. The number of songs composed in his memory is a clear proof of that.

Di Sarli as composer

Part of Di Sarli's legacy is a series of fine compositions. He often worked in collaboration with great writers, such as Héctor Marcó and Roberto Guisado. Among his works are the following titles: Loco lindo, Otra vez carnaval, No me preguntes por qué, Verdemar, Así era mi novia, Nido gaucho, Bien frappé, Corazón, Porteño y bailarín, En un beso la vida, La capilla blanca; and the instrumentals Bahía Blanca and Milonguero viejo.

Anecdotes and interesting facts

Di Sarli's sunglasses became a trademark. He started wearing them at a very young age, as a result of an accidental gunshot he received at his father's store at age 13.

Episode with the "Milonga del centenario" (corregidor, p.2739-40)

Benefactor. He would donate to the Patronato de la Infancia his earnings for authorial rights. (p. 2750)

Di Sarli's famous tango "Milonguero viejo", dedicated to Osvaldo Fresedo, changed its name for a while to "Bailarín porteño". However, it eventually returned to the original version.

Some detractors of his work used to state it was an easy job to play in Di Sarli’s orchestras, as the arrangements had none of those fast. intricate variations for bandoneon at the end. With that in mind, Di Sarli easily quieted those voices by making an arrangement of El choclo, which has near the ending one of the most difficult variations to perform on the ‘’fueye’’.

Di Sarli Recordings

Titel Genre Aufnahmedatum Sänger/Instrumental Label Anmerkungen
La cumparsita Tango 1929 Agustín Magaldi Brunswick
Queja melodiosa Tango 1929 Instrumental Brunswick
Seguí... no te parés Tango 1929 Luis Díaz (Estrib.) Brunswick
No me engañes, por favor Tango 1929 Instrumental Brunswick
Luces de la tarde Tango 1929 Instrumental Brunswick
Amor y olvido Tango 1929 Instrumental Brunswick
Dolores Vals 1929 Instrumental Brunswick
Se va la vida Tango 1929 Luis Díaz (Estrib.) Brunswick
Desencanto Tango 1929 Instrumental Brunswick
Sirvame caña Tango 1929 Instrumental Brunswick
Adiós mujer Tango 1929 Instrumental Brunswick
Pulpero sirva otra vuelta Tango 1929 Luis Díaz (Estrib.) Brunswick
Misterio Tango 1929 Instrumental Brunswick
Doña Maríviga Ranchera 1929 Luis Díaz (Estrib.) Brunswick Richtiger Titel: "Doña Maríbiga".
Siluetas de la tarde Tango 1929 Instrumental Brunswick
Vas a sonar Tango 1929 Luis Díaz (Estrib.) Brunswick
De milonga corrida Tango 1929 Instrumental Brunswick
Pega Pega Tango 1929 Instrumental Brunswick Originaltitel: "Pega-Pega". Mit Sprechgesang.
Hasta cuándo Tango 1929 Luis Díaz (Estrib.) Brunswick
Las lavanderas Polka 1929 Instrumental Brunswick Mit Chor.
Huerfanitos de la vida Tango 1929 Luis Díaz (Estrib.) Brunswick
Qué querés con ese loro Tango 1929 Luis Díaz (Estrib.) Brunswick
Venga viejo Tango 1929 Instrumental Brunswick
Derrotado Tango 1929 Instrumental Brunswick
Zafa de l'amarrazón Tango 1929 Instrumental Brunswick
Yo quiero casarme Tango 1929 Luis Díaz (Estrib.) Brunswick
Huerfanita Tango 1930 Instrumental Brunswick
En la cortada Tango 1930 Luis Díaz (Estrib.) Brunswick
Invierno Tango 1930 Luis Díaz (Estrib.) Brunswick
Garufa corrida Tango 1930 Luis Díaz (Estrib.) Brunswick
Lisandro Tango 1930 Instrumental Brunswick
La brava Ranchera 1930 Luis Díaz (Estrib.) Brunswick
Don Esteban Tango 1930 Instrumental Brunswick
De madrugada Tango 1930 Instrumental Brunswick
Triste amanecer Tango 1930 Instrumental Brunswick
Farol de los gauchos Zamba 1930 Instrumental Brunswick Mit Sprechgesang.
Polilla Tango 1930 Mit Estribillo Brunswick Alternativtitel: "Globero".
Porqué se fué Tango 1930 Instrumental Brunswick
Caradura Tango 1930 Instrumental Brunswick
No mires p'atrás Tango 1930 Instrumental Brunswick
Mañana Tango 1930 Luis Díaz (Estrib.) Brunswick
Lluvia de flores Vals 1930 Instrumental Brunswick
Musiquito Tango 1930 Luis Díaz (Estrib.) Brunswick
Ensalada criolla Ranchera 1930 Luis Díaz (Estrib.) Brunswick
Baquiano pa'elegir Tango 1930 Instrumental Brunswick
Soledad Tango 1930 Luis Díaz (Estrib.) Brunswick
Virgencita de Pompeya Tango 1930 Luis Díaz (Estrib.) Brunswick
Deschavate Tango 1930 Instrumental Brunswick
Lamentos del alma Tango 1930 Luis Díaz (Estrib.) Brunswick
Menina de ouro Maxixa 1930 Instrumental Brunswick

Recordings Song


Recordings

Orchestra Singer Recording date Disco No Matrix No Label Genre Weblinks Image
Francisco Canaro Alberto Arenas 1945-08-24 5270 A 14871 Odeon Tango
Aníbal Troilo Alberto Marino
Floreal Ruiz
1945-11-15 60-0825 A 80896-1 RCA Victor Tango campero TangoTunes 120px
120px
Rodolfo Biagi Alberto Amor 1946-01-31 5658 A 15326 Odeon Tango campero TangoTunes 120px
Alberto Castillo Alberto Castillo 1947-04-11 7728 16378 Odeon Tango
Roberto Firpo dúo de pianos Instrumental 1946 3556A 16199 Odeon Tango



Example page

On the example page[5] Gouda Tango Festival (Example page) you find an idea about how a festival page could look like. When you are logged in, you can also see the source code of the text. In the Category:Festival are all festivals listed, which already exist. Check there, if the festival is maybe already entered.

Create your user account and maybe have a look at the Short Instruction for creating articles, until your account gets confirmed.

Form

With the Form:Festival you can easily create a new festival page.

Once you entered the name of the festival and clicked on "Create festival & next" you will be directed to the second page of the form. Here fill in the single fields.

Logo upload

For the upload of the logo you will be redirected to the Commons (a new window should open). Upload the logo there, copy the file name and paste it into the form.

The logo needs to be uploaded only once and can be used in the other languages as well (German, Spanish), only include the same file name in the form there.

Free text

In the free text area is space for further information, which don't have space in the form fields. Write text and format it in Wiki-Syntax.

  • Tip: Don't give yourself away too much about formatting. Set some headlines and concentrate on the text. Other users can take over the formatting of your text later on.

Save the page

  1. Show preview: Check in the preview, how your article will look like and correct your text, if necessary.
  2. Save page: On saving the page you will be directed to the saved article in reading mode.

Further changes to the page can be applied any time:

  1. Edit with form: Brings you back to the filled-in form.
  2. Edit: Here you get directly into the source code. If you make changes here, make sure to correctly transclude the Template:Infobox Festival, so the infobox on the right side will show.

Please note

  • TangoWiki is no place for advertisement.. Please try to keep your descriptions as objective as possible and link to personal content to your website.
  • Watch the page. Chances are high, someone will change and improve the page. If you'd like to have changes undone, please discuss on the discussion page of the festival first and/or contact the user who made the changes directly via their disuccion page.
  • Keep the page up-to-date. As organizer you have the newest information about the festival. Once the festival is over, change the page. If there is new information for the next edition, change the page. Like this you can make sure to keep the page informative for others.

Help?

If you still need help with the form, get in contact with the support team here at TangoWiki.

Weblinks

References

  1. Ferrer, Horacio, El libro del tango (buscar detalles)
  2. Sierra, Luis Adolfo et. al., La historia del tango, Corregidor, Buenos Aires, 1980.
  3. Los grandes del tango, Editorial Tango, Buenos Aires, Year 1, N°5, Nov. 1990.
  4. (Sierra et. al., La historia del tango: Di Sarli -Vardaro-Gobbi, Corregidor, Buenos Aires, 1980, ref. 2701-02)
  5. This page helps to create a new article about a Tango festival quickly.